No. 3

Artigos

• The advertising paradox in Brazilian television: updating genre dissent in a uniform world

  Nísia Martins do Rosário, Adriana Pierre Coca

  • PDF (Português (Portugal))

• Suicides, shrouds and autobiography in the work of António Lobo Antunes

  Norberto Cardoso

  • PDF (Português (Portugal))

• Claire Underwood and feminine politic(s). Semiotic reflections on TV series and gender memories

  Ariel Gómez Ponce

  • PDF (Português (Portugal))

• The use of intertext with cinema in advertising discourse

  Andreia Fernandes Silva

  • PDF (Português (Portugal))

• Thoughts on “The Tree of the Ancestors” by Licínio de Azevedo

  Teresa Manjate

  • PDF (Português (Portugal))

• Between the Pedagogical and the Performative: the Brazilian and Italian Mural Art of the 1930’s

  Maria Aparecida Fontes

  • PDF (Português (Portugal))

• Between mujahidins and ghosts: improvisation and archive-bodies as a microcosm of the Syrian conflict

  Sílvia Raposo

  • PDF (Português (Portugal))

• The symbolic primitivism in the anthropophagic proposal of Oswald de Andrade

  Giuliarde de Abreu Narvaes

  • PDF (Português (Portugal))

• A brief approach to the meaning of “The touch in cinema” through the survival of archive in Harun Farocki’s movie: The Expression of Hands

  Rodolfo Anes Silveira

  • PDF (Português (Portugal))

• Female Body and the Abjection Senses: The heritage of exploitation’s heroines in Quentin Tarantino

  Carolina de Oliveira Silva

  • PDF (Português (Portugal))

• The ludus-gamification operation and the mechanical enslavement

  Mariana Amaro, Camila Freitas

  • PDF (Português (Portugal))

• A dynamic “typo/icono/graphy” in Brazilian movie posters

  Denise Azevedo Duarte Guimarães

  • PDF (Português (Portugal))

• Forms of contemporaneity in the news design of the newspaper O Estado de S. Paulo

  Solange Wajnman, Cristina Silva Ramos

  • PDF (Português (Portugal))

• The face in the image, the image without face: poverty and vulnerability in journalistic photography about Bolsa-Família Program

  Ângela Cristina Salgueiro Marques, Alexei Padilla Herrera, Hannah Serrat

  • PDF (Português (Portugal))

• El rostro en la imagen, la imagen sin rostro: pobreza y vulnerabilidad en fotografías periodísticas sobre el programa Bolsa-Familia

  Angela Cristina Salgueiro Marques, Alexei Padilla Herrera, Hannah Serrat

• CORPO FEMININO E OS SENTIDOS DE ABJEÇÃO: A herança das heroínas do exploitation em Quentin Tarantino

  Carolina de Oliveira Silva

• O funcionamento da ludus-gamificação e a servidão maquínica

  Mariana Amaro, Camila Freitas

• Versão Integral

  Nº3 Eikon

  • PDF (Português (Portugal))