Between surface and depth: camera-body in contemporary Asian cinema

Authors

  • Camila Vieira da Silva Universidade Federal do Rio de Janeiro (UFRJ)

Keywords:

estética, corpo, superfície, cinema contemporâneo, sensorialidade

Abstract

By making use of a camera-body with connection to an “aesthetic of flow”, contempo-rary Asian movies as Shara, by Naomi Kawase; Goodbye, Dragon Inn, by Tsai Ming-liang; Café Lumière, by Hou Hsiao-hsien; and Tropical Malady, by Apichatpong We-erasethakul, explore surface and depth not only as diametrically opposed forces, but also as equally legitimate experiences that can be experienced to the extreme. These films do not separate stable and unstable, presence and absence, appearance and van-ishing.

Author Biography

Camila Vieira da Silva, Universidade Federal do Rio de Janeiro (UFRJ)

Doutoranda em Comunicação e Cultura pela Universidade Federal do Rio de Janeiro (UFRJ)

References

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Published

2019-02-14

Issue

No. 4 (2018): nº 4

Section

Artigos

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