Documentário clássico e a voz que não vemos: revisitando as noções de “voz de Deus” e “voz over”
Palabras clave:
cine documental, sonido fílmico, voz, banda sonoraResumen
El artículo revisa las nociones de “voz de Dios” y “voz over” en el ámbito
del documental clásico. A partir de fuentes fílmicas y textuales primarias, se busca demostrar que tales expresiones, por no soportar las variadas perspectivas estilísticas y éticas del documental clásico, deben ser reproblematizadas, apuntando hacia la existencia de un campo más complejo y diverso en lo concerniente a la presencia de la voz.
Citas
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