O espectador de Eduardo Coutinho: um estudo de Moscou
Keywords:
spectator, subjectivation, indetermination zone, experienceAbstract
Cinema creates possibility conditions for a particular spectator to be reached. In this sense, the article intends to analyze and discuss how the cinematographic operations by Eduardo Coutinho in Moscou (2009) create possibility conditions for the spectator to undergo a process of subjectification and become Other. In this way, the film creates its own spectator.
References
Agamben, G. (2006). A potência do pensamento. Revista do Departamento de Psicologia – UFF, 18(1). Niterói.
Bazin, A. (1991). O cinema: ensaios. São Paulo: Ed Brasiliense.
Carvalho, N. (2014). Filosofia e teoria da Imagem em Gilles Deleuze. Tese de Doutorado, Universidade Nova Lisboa, Lisboa.
Deleuze, G. (1992). Conversações. Rio de Janeiro: Editora 34.
Guimarães, C. (2016). Mil maneiras de ir em direção ao real. In A. Bazin, O realismo impossível (sel., trad., intr. e notas M. Coutinho). Belo Horizonte: Autêntica Editora, 1ª ed.
Lins, C. (2013). O cinema de Eduardo Coutinho: entre o personagem fabulador e o espectador-montador. In M. Ohata (org.), Eduardo Coutinho (pp. 375-388). São Paulo: Cosac Naify.
Filmografia
Moscou (2009), de Eduardo Coutinho.
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