Met Dieric Bouts: investigaciones en torno al contrapunto cinematográfico
Abstract
Un análisis estructural del film Met Dieric Bouts (1975) de André Delvaux centrado en su concepción sonora, que sigue un esquema de construcción derivado de las estructuras rítmicas utilizadas en el contrapunto en las obras de Guillame Dufay y Guillame de Machault.
Palabras clave: contrapunto; estructura musical; banda de sonido; André Delvaux; ensayo cinematográfico.
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