Os filmes e o pensamento de Ed Pincus: o cinema direto em direção à autobiografia
Abstract
Ed Pincus’ oeuvre may be seen as a development of the American direct cinema of the 1970s. Leading the MIT Film Section, Pincus’ intelectual and cinematographic work evidences the proposal of a direct-autobiographic cinema. I will seek to expose conceptually this scenario through the use of primary information sources, as well as through an analysis of Diaries (1971–1976), his most important documentary. Keywords: Ed Pincus; autobiographical documentary; direct cinema; MIT Film Sec- tion; Cambridge.
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