Do encontro previsível à cena revigorada – a entrevista no documentário contemporâneo (parte 2)
Abstract
Inspired by the examples of some films that adopt the “dispositif” as a creative strategy, or that expose the off-camera as a place of negotiations and asymmetries, I suggest, in the second part of this research new possibilities of understanding the interview and others politics of the encounter on the scene.
Keywords: documentary; interview; off-camera; “dispositif”.
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