Met Dieric Bouts: investigaciones en torno al contrapunto cinematográfico

Authors

  • Santiago Rubín de Celis Pastor Istituto Europeo di Design Madrid, Dep. Visual Communication

Abstract

Un análisis estructural del film Met Dieric Bouts (1975) de André Delvaux centrado en su concepción sonora, que sigue un esquema de construcción derivado de las estructuras rítmicas utilizadas en el contrapunto en las obras de Guillame Dufay y Guillame de Machault.

Palabras clave: contrapunto; estructura musical; banda de sonido; André Delvaux; ensayo cinematográfico. 

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Published

2017-10-04

Issue

No. 22: SONORIDADES DO DOCUMENTÁRIO | Sonoridades del documental | Documentary sonorities | Sonorités du documentaire

Section

DOSSIER TEMÁTICO | Dossier temático | Thematic dossier | Dossier thématique

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