A obra de Edileuza Penha de Souza:  uma análise de Mulheres de Barro (2014) e Filhas de Lavadeiras (2019)

Carolinne Mendes da Silva; Renata Melo Barbosa do Nascimento

A obra de Edileuza Penha de Souza

uma análise de Mulheres de Barro (2014) e Filhas de Lavadeiras (2019)

Authors

Carolinne Mendes da Silva Secretaria Municipal de Educação de São Paulo
Renata Melo Barbosa do Nascimento UnB https://orcid.org/0000-0003-3858-8682

Abstract

This article intends to investigate two short documentaries by filmmaker Edileuza Penha de Souza as cultural objects in their relations with black feminisms: Mulheres de Barro, from 2014 and Filhas de Lavadeiras, from 2019. The comparative analysis between the films allows us to reflect on how the director addresses the intersections between race, gender and class oppression and how it impacts the different subjectivities of these black women, giving meaning and protagonism to their lives.

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Published

2024-03-27

Issue

No. 35 (2024): HÁ SEMPRE UM NOME DE MULHER: OLHARES FEMINISTAS PARA O DOCUMENTÁRIO BRASILEIRO | Siempre hay un nombre de mujer: Perspectivas feministas sobre el documental brasileño | There is always a woman's name: feminist perspectives on Brazilian documentaries | Il y a toujours un nom de femme : perspectives féministes sur les documentaires brésiliens

Section

DOSSIER TEMÁTICO | Dossier temático | Thematic dossier | Dossier thématique

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