Do que aprendi com António Campos

Authors

  • Paula Mota Santos

Keywords:

affect, amateur, center-periphery, social classes, poetics.

Abstract

Taking the filmography of António Campos as one, and not divided between documentary and fiction, a personal reflection is presented on two learnings that this author allows: his non-amateurism and the need to change Portuguese society at the time.

References

Levi-Strauss, C. (1966), O pensamento selvagem [Orig. 1962], Campinas, SP: Papirus.

Neuendorf, H. (2018), Rembrandt’s Monumental Masterpiece the ‘Night Watch’ Will Be Restored—and You Can Watch It Happen. Disponível em: https://news.artnet.com/art-world/rembrandt-night-watch-restoration-1372738

Penafria, M. (s.d.), O Documentarismo do Cinema. Uma reflexão sobre o filme Documentário. Disponível em: http://www.bocc.ubi.pt/pag/penafria-manuela-documentarismo-reflexao.pdf

Santos, P. M. e Alzetta, R. (2015), ‘The camera tends to lie and the audience tends to believe – the implications of the use of film in ethnographic research: the case of the international European research project TRESEGY’, ANTROPOlógicas, nº2 5, pp.17.-22. Disponível em: https://revistas.rcaap.pt/antropologicas/article/view/2115

Verdú, V. (2012), 'Ecce Homo' – the rubbish Effect. Disponível em: https://english.elpais.com/elpais/2012/08/29/inenglish/1346247076_925496.html

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Published

2022-09-30

Issue

No. 32 (2022): ANTÓNIO CAMPOS, 1922-2022 - HOMENAGEM PELOS 100 ANOS DO SEU NASCIMENTO | En homenaje por el centenario de su nacimiento | Honoring the 100th anniversary of his birth | Hommage pour le 100ème anniversaire de sa naissance

Section

DOSSIER TEMÁTICO | Dossier temático | Thematic dossier | Dossier thématique

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