Devorational Cinema: Spectacle, Ritual, and the Senses in Cold War Latin American and Spanish Experimental Film

Laura Jaramillo


This dissertation revisits a neglected archive of avant-garde Cold War-era Latin American and Spanish films which use baroque, excessive aesthetic strategies inspired by popular religious ritual: the experimental documentaries and expanded cinema inventions of Spanish filmmaker-mystic José Val del Omar; the Mexican psychedelic exploitation epics of Chilean polymath Alejandro Jodorowsky; and the Cuban revolutionary films of Manuel Octavio Gómez.

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